“Mathew Rüdenberg’s color-coded, fish-eye-lensed visuals amplify the dreamlike unreliability of everything depicted.”
— Nick Schager | Variety

"Mathew Rüdenberg’s cinematography is both breathtaking and ominous.”
— Andres Guzman | Film Cred

‍“A visually stunning sci-fi psychodrama.”
— Meredith Taylor | Filmuforia

Cinematographer Mathew Rudenberg on Shooting High Potential Season 2: Camera, Lenses, and Visual Storytelling
— ProductionHUB

‍High Potential's Morgan Notices Everything—She'd Love the Cinematography's Attention to Detail
— Meet Me At Crafty

“The film is beautifully shot by Mathew Rüdenberg, and is worth checking out for his lens work alone.”
— Michele “Izzy” Galgana | Screen Anarchy

‍
‍“Writer-director Ben Cresciman works with Mathew Rüdenberg’s excellent cinematography to produce a dream-like film.”
— Brian Tallerico | RogerEbert.com

‍“All beautiful, tense, hallucinatory and deeply disturbing.”
— Anton Bitel | Sight and Sound

Zoey 102 Cinematographer on Elevating Beloved Children’s Series to a Romantic Comedy
— Production Hub

How to Shoot Romantic Comedies Like ‘Zoey 102’
— NoFilmSchool