“The film is beautifully shot by Mathew Rüdenberg, and is worth checking out for his lens work alone.”
— Michele “Izzy” Galgana | Screen Anarchy
“For a film that gets so ugly, it’s surprisingly nice to look at — cinematographer Mathew Rüdenberg and director Ben Cresciman bathe the film in sunlight and totally master the use of the ethereal.”
— Brett Arnold | Business Insider